1990 saw W.B.I Red Ninja release their 2nd 12", the War Bytes E.P.
Buying it at the time I was a touch disappointed, the production seemed overly dense and muddy and I didn't really feel the direction it was going in. Happily, going back to it now, 19 years later I'd say it's improved with age...
The rap on "X The Unknown" doesn't sound too great but the production is interestingly ahead of it's time and more electronic in feel than the other tracks.
"Bad Horsemen" benefits greatly from being an instrumental with some booming dub bass, nice horns and a killer piano break.
"Return To The Scene Of The Crime" chugs along nicely with oodles of dub and a few well chosen familiar loops. Again though, the vocal hasn't kept up with the production in the aging stakes, bonus point for spotting the Hijack sample.
Lastly, we have "Bad Testament". As with the other tracks here, it sports a confident amount of movie dialogue samples but Bugsy Malone?? A curious drum pattern contributes to the growing doubt but all is not lost... a generous portion of the Ohio Player's "Funky Worm" underpins the whole shebang and just about saves the day (everyone loves that funky, funky worm).
Showing posts with label 1972. Show all posts
Showing posts with label 1972. Show all posts
Monday, 29 June 2009
Sunday, 28 June 2009
Some remixes you won't have of tracks you will have...
Hmmm, back from a weekend away and time for something a touch more obscure.
This white label E.P is credited to Chad Jackson, the 1987 DMC winner don't you know... and the man behind "Hear the Drummer Get Wicked". Even former world champion DJs have to pay the mortgage I guess, although getting snippets of Hijack vocals into the charts raises a eyebrow or two.
I'll have to guess at around 1987/88 for this, as the 5 mins I have spent thoroughly researching it have yielded no release details. It might not actually be Chad Jackson at all (Feel free to identify if it isn't).
Sounding delightfully amateurish in places, conjouring up images of Fostex four track recorders, ST's, Amigas, UK 12"s for £2.98, leather shoulder holsters and jumpers for goalposts etc.
Anyway, no problem with the selection of tracks, we are brought....
"Bring The Noise"
"My Philosophy"
"Paid in Full"
Plus some house track that means nothing to me....
As I haven't posted for a little while I'm also going to include two bonus tracks, neither from vinyl regrettably but both essential breakbeats.
Firstly, as used above by BDP, Stanley Turrentine's "Sister Sanctified" from 1972 (featuring Bob James, which is nice). Also from 72, Babe Ruth's "The Mexican", which you can hear parts of in the Paid In Full remix (particularly on the cheeky run-out).
Enjoy.
This white label E.P is credited to Chad Jackson, the 1987 DMC winner don't you know... and the man behind "Hear the Drummer Get Wicked". Even former world champion DJs have to pay the mortgage I guess, although getting snippets of Hijack vocals into the charts raises a eyebrow or two.
I'll have to guess at around 1987/88 for this, as the 5 mins I have spent thoroughly researching it have yielded no release details. It might not actually be Chad Jackson at all (Feel free to identify if it isn't).
Sounding delightfully amateurish in places, conjouring up images of Fostex four track recorders, ST's, Amigas, UK 12"s for £2.98, leather shoulder holsters and jumpers for goalposts etc.
Anyway, no problem with the selection of tracks, we are brought....
"Bring The Noise"
"My Philosophy"
"Paid in Full"
Plus some house track that means nothing to me....
As I haven't posted for a little while I'm also going to include two bonus tracks, neither from vinyl regrettably but both essential breakbeats.
Firstly, as used above by BDP, Stanley Turrentine's "Sister Sanctified" from 1972 (featuring Bob James, which is nice). Also from 72, Babe Ruth's "The Mexican", which you can hear parts of in the Paid In Full remix (particularly on the cheeky run-out).
Enjoy.
Tuesday, 14 April 2009
Bring back summer...
So, the weather has been surprisingly pleasant of late, until today when it actually feels like April... The sun has got his hat on, but also appears to have buggered off to the pub...
A couple of happy bits and bobs now to keep the mood up...
The first of todays tracks is kind of sunshine related, being the B side of Alex Reece's "Feel the Sunshine" from 1996.
Austrian knob-twiddlers, Kruder and Dorfmeister, work their magic over "Jazz Master" and justify adding an umbrella to your pint.
The second is one of my favourite breaks of all time and just an outstanding song in it's own right, from 1972 it's Al Green with "I'm Glad You're Mine".
A couple of happy bits and bobs now to keep the mood up...
The first of todays tracks is kind of sunshine related, being the B side of Alex Reece's "Feel the Sunshine" from 1996.
Austrian knob-twiddlers, Kruder and Dorfmeister, work their magic over "Jazz Master" and justify adding an umbrella to your pint.
The second is one of my favourite breaks of all time and just an outstanding song in it's own right, from 1972 it's Al Green with "I'm Glad You're Mine".
Labels:
1972,
1996,
breaks,
instrumental,
Not really hiphop,
Vinyl
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